My Perfect Fit
In order to tackle this project, I first broke down the steps of what was required in this process. I also created and 'ideal' path that I would be following in order to not take on too much of the project and focus on what is the most important within the system, the path on the right is what I want to showcase the most out of this design process
My next stage was to essentially complete the process like I was the program itself. Above are a few images of my own wardrobe that I will later use in my designs. I need to however figure out how I am not redesigning what I currently own but how these measurements can be used and then the styles can be abstracted out.
Initially, I found it difficult to not design what was currently existing in my wardrobe. By taking an abstract it allowed me to bring through different silhouettes, forms and patterns without directly referencing my wardrobe. I also did a few surface material tests as I knew I needed to focus on how each 'scrap' material could be optimised into a garment. Also by this point I realised I needed to bring in more inspiration photos from Pinterest of garments I would want in my wardrobe. This would allow me to add more depth to the project and not just redesign my existing wardrobe.
As I wanted the user to be able to completely randomise their wardrobe regardless of material and shape, I started with taking my abstract forms into a practical sense. I also at this stage decided to external photos that what was currently in my wardrobe
From the intial designs, I was able to quickly bring together a very randomise mix of my wardrobe. Now that I have a rough idea of my outcomes in a basic form and design I can move onto producing my wire frames for how the user will interact with this experience.
Now that I have my base set up, I need to consider smaller elements on what else is integrated into the system. I believe I should also include a select from Pinterest image within the initial uploading system. Not only have I used it in my own design process but like most people they are using 'My Perfect Fit' because they are missing something in their wardrobe, not wanting to create more of what they currently own
I also needed to figure out how the measurements would be collected. Although they would be picked up from the images of the user wearing their clothes, I wanted to provide and option for those that do have a measuring tape to edit their measurements if they wish to do so. It also provides for those that don't want to update them more transparency on how their clothes will fit in the end
I also wanted to provide a more visual cue to the user about their sustainable footprint. I included not own a sustainability check towards the bottom of the page that would visibly say where they could be more sustainable but visually with the background hue changing colour throughout the process
As the focus of this project is around sustainability not only in an ethical working sense, but also in a material waste sense. I needed create a personalisation that worked within the limitations of Clo3D.
As I was working with my own pattern pieces and using a "Cut and Sew" method to create the each patterns, I was able to personally manipulate which piece had what colour and weft (direction of grain in fabric) regardless of size because of the style of this design. I would have run into many more issues as it isn't the entire design relying on the scrap fabrics but using a combination of dead stock and scrap fabric
References
Garay-Rondero, Claudia & Flores,, José Luis & Smith, Neale & Caballero, Omar & Aldrette-Malacara, Alejandra. (2019). Digital supply chain model in Industry 4.0. Journal of Manufacturing Technology Management. ahead-of-print. 10.1108/JMTM-08-2018-0280.
Obser, Sarah. (2015). Transparency and Traceability in the Textile and Clothing Supply Chain. 10.13140/RG.2.2.16892.74883.
Colucci, Mariachiara & Scarpi, Daniele. (2013). Generation Y: Evidences from the Fast-Fashion Market and Implications for Targeting. Journal of Business Theory and Practice. 1. 1. 10.22158/jbtp.v1n1p1.
Niinimäki, Kirsi & Peters, Greg & Dahlbo, Helena & Perry, Patsy & Rissanen, Timo & Gwilt, Alison. (2020). The environmental price of fast fashion. Nature Reviews Earth & Environment. 1. 189-200. 10.1038/s43017-020-0039-9.
Bick, R., Halsey, E. & Ekenga, C.C. The global environmental injustice of fast fashion. Environ Health 17, 92 (2018). https://doi.org/10.1186/s12940-018-0433-7
Franke, N., Schreier, M., & Kaiser, U. (2010, January). The “I designed it myself” effect in mass customization—Document—Gale Academic OneFile. Gale Academic OneFile. https://go-gale-com.helicon.vuw.ac.nz/ps/i.do?p=AONE&u=vuw&id=GALE|A219382794&v=2.1&it=r